![]() Officially, the works were rejected because they were made of “little cubes”, marking the origins of ‘Cubism’.īeginning in 1909, Braque began to work closely with Picasso, who had been developing a cubist style of painting. ![]() One rumoured reason for Matisse’s decision is a bitterness he harboured because Braque had abandoned him for Picasso. It not only showcased the new colour and collage style paintings, it also helped propel him to the front of the art world, as a prominent name during this period. It is interesting to know that Braque maintained that Matisse, on the judging panel for the Salon d’Automne in 1908, rejected a selection of Braque landscape paintings influenced by Cézanne. In 1922, he had a very successful solo exhibit in Paris, which not only garnered much attention to his work, but also to the new form which he and Picasso had introduced. This is what led me, long ago, from landscape to still-life”īesides the cubist paintings, Georges Braque also experimented with collages, and the use of the entire canvas, to convey pieces that were created. Georges Braque, Violin and Candlestiks, 1910īraque explained that he “… began to concentrate on still-lives, because in the still-life you have a tactile, I might almost say a manual space… This answered to the hankering I have always had to touch things and not merely see them… In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. They changed the conventional form of representation of the art objects.Īlthough Braque began his career painting landscapes, during 1908 he, alongside Picasso, discovered the advantages of painting of natures-mortes. Later on, he spent much time working alongside with Picasso, managing to transform Fauvism into Cubism as a new art style. He knew at this time Andre Derain and Henri Matisse. Unlike other fauvist painters, Braque paid attention not only to the position of the colour elements on the plane of the picture but also to building space.Įven at that time, he was inspired by the compositions of Cézanne more, than by the colours used by Van Gogh. He then discovered Fauvism, and followed the colour and styles of this art movement. By 1907, his fauvist works were exhibited at the Salon des Independents. A distinctive feature of his works during that period was not only a unique decorative beauty but also much more vivid than that of other artists, constructiveness of the composition. In 1902, he received his certificate as a decorator, but still attended art school, at the Humbert Academy, where he studied until 1904.īraque’s early works were impressionistic, but transitioned into a fauvist style after seeing work exhibited by the Fauves in 1905. ![]() He was born in a small town near Paris and was at the time inspired by the French Impressionists and Post- Impressionists artists of the Parisian art society.Īs a young man, he worked during the day as a house painter and decorator, in the same line of work as his father and grandfather, and he attended evening classes at the School of Fine Arts in Le Havre, France. He is most well known for being the founder of Cubism alongside Pablo Picasso, although he did other form of works, such as Impressionism, Fauvism, and even some collage styles of work, which brought together a series of imaginative pieces, bold colours, and distinct shapes and styles of art. Georges Braque is one of the most eminent French artists if the 20th century. Light and space are closely related and we dealt with them together." The only aspect of colour that interested us was light. ![]() This space attached me so much because the quest for space was foremost a Cubist quest. So I began concentrating on the still life, because the still life possesses a tactile space one might almost describe as “manual"… For me, this corresponded to a wish I had always had in touch a thing rather than simply to look at it. "What attached me in particular and became the main direction in Cubism, was the materialisation of the new space that I sensed.
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